First published on Snipe //
As well as telling the story of the 1957 obscenity trial concerning City Lights Books’ publication of the seminal poem, Howl, Friedman and Epstein’s film attempts to navigate the murky juices of Allen Ginsberg’s life and work during the 1950s, with a little slick black and white reconstruction of some of 20th Century literature’s most seditious moments to boot. And it fails to do any of it convincingly.
Internet Present 